HFloyd
Active Member
- Joined
- Apr 14, 2021
- Messages
- 82
- Reaction score
- 193
Starting off with a shameless plug...
I've released 5 more demos! This time I focused on modulation\swirly effects.
So when you spend some time recording swirly guitar effects, obviously your brain will rabbit hole on swirly guitar effects and how you like to use them. It's fairly obvious that David Gilmour is a gigantic influence of mine (and...I assume almost everybody really) and lord knows the man made extensive use of swirly pedals.
Personally, I tend to just use a rotary pedal for all my swirly needs. It sorta does the chorusy thing, it sorta does the throbby thing, it sorta does all the things, while still sounding cool as shit. So if I'm jamming on something and I want swirlies...I stomp on a rotary.
However, when nerding out on this topic with a mate of mine, he was almost appalled by my approach. He firmly believes that each effect (chorus, flanger etc.) has their specific use and to get it wrong is like rocking up to a wedding in jeans. Commence argument.
He had a number of good points. There are some specific effects which are tied to certain songs. Phaser for Brain Damage on Dark Side Of The Moon for example. Flanger for 46&2 on Chancellor's bass. Chorus for 80s Hair Metal. We could agree that there have been specific uses for each effect which are necessary\iconic whereby simply stomping on a rotary isn't going to be helpful.
...But NEITHER of us could agree with any sort of guidelines about what effect would be most suitable where. What about Phaser makes it equally awesome for Brain Damage, as it does for EVH?
Ergo: I open the topic to the internet. What makes you decide: "Yes, this is a guitar part which definitely needs <insert specific effect here>" rather than...my approach of "SWIRLY GO FUN TIME WHEEEEE?"
I've released 5 more demos! This time I focused on modulation\swirly effects.
So when you spend some time recording swirly guitar effects, obviously your brain will rabbit hole on swirly guitar effects and how you like to use them. It's fairly obvious that David Gilmour is a gigantic influence of mine (and...I assume almost everybody really) and lord knows the man made extensive use of swirly pedals.
Personally, I tend to just use a rotary pedal for all my swirly needs. It sorta does the chorusy thing, it sorta does the throbby thing, it sorta does all the things, while still sounding cool as shit. So if I'm jamming on something and I want swirlies...I stomp on a rotary.
However, when nerding out on this topic with a mate of mine, he was almost appalled by my approach. He firmly believes that each effect (chorus, flanger etc.) has their specific use and to get it wrong is like rocking up to a wedding in jeans. Commence argument.
He had a number of good points. There are some specific effects which are tied to certain songs. Phaser for Brain Damage on Dark Side Of The Moon for example. Flanger for 46&2 on Chancellor's bass. Chorus for 80s Hair Metal. We could agree that there have been specific uses for each effect which are necessary\iconic whereby simply stomping on a rotary isn't going to be helpful.
...But NEITHER of us could agree with any sort of guidelines about what effect would be most suitable where. What about Phaser makes it equally awesome for Brain Damage, as it does for EVH?
Ergo: I open the topic to the internet. What makes you decide: "Yes, this is a guitar part which definitely needs <insert specific effect here>" rather than...my approach of "SWIRLY GO FUN TIME WHEEEEE?"