Warsaw
New Member
- Joined
- Jun 16, 2020
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Hope my experience culd be useful for those who want to approach to tube amp build. It's a great self - rewarding activity 
After a lot of stompboxes and some amp repair, I've finally decided to graduate to tube amp building.
I've started from a Tube Town kit (TT kit Marshall style 18w TMB). They supply everything needed at very reasonable prices, with no import taxes for Europe (I'm in Italy).
Along with the kit I've taken also chassis, face and backplate, knobs, tolex, gold piping, rubber feet, handle.
Then I took also tolex, grillcloth, handles to build a SV212 replica, but this is another story.
I'm a Fender guy since now, but I was missing my '95 Sovtek MIG-100, that had the same circuit of a 2204, I used it a lot in the nineties when I used to play a lot live. I decided that I need a Marshall style amp.
For practice, gigging purpose and not least, weight and handling, at first I searched a Studio series second-hand, but both don't comply all the features that I need: mod friendly (no one), vintage look (SV20), versatilty (SC20), plexi flavour (maybe both).
So looking at the schematics I found the TMB 18w with some easy mods could be the live/practice tube head I was looking for.
This is my own interpretarions (mods) of the original Tube-town circuit:
1. Cascade mod (norm channel into TMB channel switchable with push pull potz)
2. Post phase inverter master volume (PPIMV type 2) - after tried the super-easy type 3 (works very well specially with linear potz) i've switched to type2 to see how it was, it's good and smooth regulation (double CST 1 meg lin potz in back plate)
3. Switchable Cathode bypass 0,68 uf cap in stage 2 of TMB (as tube-town suggest + 2,7k res) to get more gain with my strats (cap bypass) and to avoid muddy gain with my les paul (no cap bypass). Switch in backplate.
The head cabinet is made of poplar plywood taken at the local store, joint made simple with wood plugs and wood glue. The hardest part was doing radius and bevels, but since I love to work with electronics and wood, this project satisfied me a lot.
The result is outstanding, mostly tanks to the resources on Rob Robinette pages and forums (Marshallforum, TDPRI, 18watt and others).
It pairs perfectly with strats, tele of gibson guitars, with a hot and smooth tone, full of brillant frequencies, something close to a bluesbraker. With the TMB channel at full power recalls to me the early so-called plexi sound, and in cascade mode it goes in the jcm800 ballpark but can go further, without hissing, unwanted feedback.
To get the best out of it a good attenuator is suggested, so it's possible to run hot the power tubes. But also the post phase inverter master volume is useful if there isn't a power soak around.
I'm sorry for the logo applied but i consider a tribute to a great company.


After a lot of stompboxes and some amp repair, I've finally decided to graduate to tube amp building.
I've started from a Tube Town kit (TT kit Marshall style 18w TMB). They supply everything needed at very reasonable prices, with no import taxes for Europe (I'm in Italy).
Along with the kit I've taken also chassis, face and backplate, knobs, tolex, gold piping, rubber feet, handle.
Then I took also tolex, grillcloth, handles to build a SV212 replica, but this is another story.
I'm a Fender guy since now, but I was missing my '95 Sovtek MIG-100, that had the same circuit of a 2204, I used it a lot in the nineties when I used to play a lot live. I decided that I need a Marshall style amp.
For practice, gigging purpose and not least, weight and handling, at first I searched a Studio series second-hand, but both don't comply all the features that I need: mod friendly (no one), vintage look (SV20), versatilty (SC20), plexi flavour (maybe both).
So looking at the schematics I found the TMB 18w with some easy mods could be the live/practice tube head I was looking for.
This is my own interpretarions (mods) of the original Tube-town circuit:
1. Cascade mod (norm channel into TMB channel switchable with push pull potz)
2. Post phase inverter master volume (PPIMV type 2) - after tried the super-easy type 3 (works very well specially with linear potz) i've switched to type2 to see how it was, it's good and smooth regulation (double CST 1 meg lin potz in back plate)
3. Switchable Cathode bypass 0,68 uf cap in stage 2 of TMB (as tube-town suggest + 2,7k res) to get more gain with my strats (cap bypass) and to avoid muddy gain with my les paul (no cap bypass). Switch in backplate.
The head cabinet is made of poplar plywood taken at the local store, joint made simple with wood plugs and wood glue. The hardest part was doing radius and bevels, but since I love to work with electronics and wood, this project satisfied me a lot.
The result is outstanding, mostly tanks to the resources on Rob Robinette pages and forums (Marshallforum, TDPRI, 18watt and others).
It pairs perfectly with strats, tele of gibson guitars, with a hot and smooth tone, full of brillant frequencies, something close to a bluesbraker. With the TMB channel at full power recalls to me the early so-called plexi sound, and in cascade mode it goes in the jcm800 ballpark but can go further, without hissing, unwanted feedback.
To get the best out of it a good attenuator is suggested, so it's possible to run hot the power tubes. But also the post phase inverter master volume is useful if there isn't a power soak around.
I'm sorry for the logo applied but i consider a tribute to a great company.




